We understand, really, that we live in a world of constant encouragement to have often unattainably high expectations of ourselves and our lives, buoyed by a media that’s owned by corporations willing to promote whatever ideas they believe necessary to sell their products. The problem we have is facing up to the truth of a matter that has become so deeply ingrained into our culture we barely even notice, never mind challenge it. So in their latest video, False Advertising get Honest about, erm, false advertising, and the way we’re expected to mindlessly accept whatever the broadcasters tell us. I guess the only way end this is by telling you that the single is out now, and buying it will make your life infinitely better.
Every now and again, Fizzy Blood ease off a little on the creepiness and write something headed in the direction of soaring modern alt-rock. Latest single Summer Of Luv is one such example, not anywhere near as hippy as the title might suggest but still sort of laid-back (well at least for the first half) by comparison to their other recent releases. The song is available digitally through Killing Moon, and now the heatwave has eased off to ‘bearable’, can be the one to dance away your summer nights to.
Need something to swelter in the sun to that has a bit of a bite to it? Strange Cages have the answer. Heavily hazy, bright and filthy simultaneously, The Cracks is their new EP and is out now.
To celebrate the release of their new single, Chain Of Flowers have posted a video for one of the songs, Let Your Light In. It and second A-side Flesh, Blood And Bone are available now digitally or on 7″ via ALTER.
It’s been the best part of three years since Single Mothers unleashed the incendiary treasure that is their debut album Negative Qualities. Following a mostly-changed line up for last year’s Meltdown EP, they return with a second record Our Pleasure, out now via (in the UK) Big Scary Monsters.
Twenty years ago, The Immediate believed their chance at superstardom to be over. Despite a solid local fan base and live reputation, the demo tape they sent to a label failed to get them a recording contract; and falling victim to the stresses of being an unsigned band they grew disenchanted with the industry and began to hate one another. Two decades later, they’ve let go of those hopes and reunited to play music just for the love of it. Not that they aren’t taking it seriously or don’t care about their songs being heard as widely as possible, but the youthful dreams of ‘making it’ have given way to a satisfaction with music being a hobby. Two EPs on, and the band are finally putting out their debut album (well it’s normal to self-release nowadays, isn’t it?).
There is great risk with bands reforming that they end up sounding like overgrown adolescents, trapped forever in memories of their ‘glory days’, viewed of course through a heavy rose tint. In terms of the music here it’s possible that little has changed – though I don’t know how the band sounded first time around, as it probably won’t make them feel good if I mention how old I was(n’t) then. The point is that while I’m sure their individual tastes have far expended in the interim, the main influences behind these songs are likely the same ones they grew up on, having the feel of classic pop long outdating anything likely to be bothering the charts today. The lyrics on the other hand represent how that band have changed – subjects such as family holidays, sharing child custody and overcoming mental health issues probably wouldn’t even have crossed their minds at an age of getting drunk and suffering their first heartbreaks. However maturity isn’t just about growing up and having families, it’s about understanding your place in the world, and what is really important; and in existing to share stories just for the joy of putting them out for people to hear, it’s this that Manbuoy really shows.
I’m generally averse to hype bands – if too many people are raving about an artist, they tend to turn out not to be worth my time. Now, call me a hipster if you like, but the truth is that niche music is more interesting and anything that’s accessible enough for all the new music places to love equally, probably isn’t. Occasionally though, something comes along that everyone is talking about just because it’s impossible to ignore. That was Kamikaze Girls‘ Sad EP last year, which as the title suggests, tackles mental health difficulties head on. Now they’re back with debut full length Seafoam , which expands to face a more general disillusionment with being a young person in this modern world, particularly highlighted in the video for Deathcap. While personal factors have contributed to the mood of this album (opener One Young Man is based on real events), it’s the general attitude of just having had enough with the way things are that gives a sense of relatability, and the reason everyone is listening to them. The album is out now via Big Scary Monsters, and the band are on tour next week, including Buffalo in Cardiff on June 29th for DIY Cardiff.