Track of the Day – ‘Hey You’ by False Advertising

Track of the Day – ‘Hey You’ by False Advertising

Listen to the new tune from False Advertising a few times and it’ll be buzzing ’round your head like – well, incidentally, with a similar momentum to three people racing bicycles ’round the city. Which fittingly enough is exactly what the video for Hey You depicts, as the band escape the daily grind to battle it out on Mobikes.

The song, which highlights a slightly more mellow but intensely catchy side to the band’s lively grunge-pop, features as the opening track on their new EP. I Would Be So Much Happier If I Just Stopped Caring was released yesterday and includes recent singles Not My Fault, It’s Been A While (So Sick) and Honest, alongside new song I Think I Got My Wish.

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Track of the Day – ’72 & Sunny’ by Wylderness

Track of the Day – ’72 & Sunny’ by Wylderness

I have to confess, by the time Wylderness got around to releasing their debut single, I was concerned it might be a little late in the year for a song titled 72 & Sunny. However while the temperature might not be quite there, October is proving today that it can still be pretty bright!

The name may be very slightly misleading anyway – while there’s no denying the prominence of hazy vocals and washed-out guitar, there’s also an underlying element of the garage rock of (previous project featuring most members of this band) KUTOSIS. This added bite actually asserts the track as fairly fitting for a crisp-but-clear autumn afternoon.

Track of the Day – ‘Cable-Built Dreamland’ by White Room

Track of the Day – ‘Cable-Built Dreamland’ by White Room

It’s not uncommon for bands that have built up their reputation through playing live for the same energy to transfer to their records; but with White Room it’s that little bit more, a glorious enthusiasm that permeates everything they do. Cable-Built Dreamland, despite actually being a critique on society’s infatuation with our own online appearances, bounces and glides along with all the enjoyment that it fears people are missing out on by not spending enough time in reality.

Self described as ‘sky-gaze’, the band mesh the most colourful traits of psychedelia into perfect indie-disco pop songs. With double-EP Eight on its way and a near-endless touring schedule, this writer recommends you get off your phone and immerse yourself in one of their gigs asap.

Track of the Day – ‘Oh Weird’ by Black Surf

Track of the Day – ‘Oh Weird’ by Black Surf

While the whole slacker vibe is a definite part of Black Surf, Oh Weird just sounds laaaaazy. Not in a bad, can’t-be-bothered way; more in a Tuesday-morning-off-work, no-need-to-get-up-quickly way. Which may explain why it’s taken me until the evening to get around to writing this. After the first verse, an arm attempts to extricate itself, but winds up straight back under the duvet. By about halfway through the track has picked up vigour enough to roll over and switch on the bedside lamp. After a brief slump then, we find we’re finally crawling out of bed; suddenly our feet hit the floor, the song over and our day begun. Oh Weird is currently available for free (well y’know, in exchange for your email address, natch) from the band’s website, which also features a countdown clock to… well, you’ll just have to follow and see!

Track of the Day – ‘Elsewhere’ by Ysgol Sul

Track of the Day – ‘Elsewhere’ by Ysgol Sul

One day, I will get round to learning Welsh. In the meantime though, I just have to be grateful that Ysgol Sul have dumbed things down for the sake of monoglots like myself; the songs on their new EP are written in the English language. Due for release on September 30th, Eventide is characterised by a subtle capriciousness, that draws on and accentuates the most whimsical elements of classic indie.

Elsewhere acts as an anchor in the middle of this release, and is the obvious choice for a single, its gentle but propulsive rhythm driving the song decisively beneath hazy guitars and languid vocals. The rest of the EP floats around this point somewhat formlessly, fluctuating gradually so as to avoid jarring its listener from the lulling state that these songs evoke. Perfectly timed as autumn draws in, there’s an erratic element here that’s just a bit too unexpected for a summer daze, and a slight sullenness to the vocal that suits the fall of the year.

Video: Glacier Veins – Headspace Campout

Video: Glacier Veins – Headspace Campout

Sometimes, very rarely, I find I have no idea how I first came across a certain band. It’s like they just appeared as if they’d always been there, assuming a place in my life with no introduction. Glacier Veins are one such occurrence, becoming familiar to me at some unknown point during the cycle of last year’s EP Clear Your Head. Of course, the question here is how rather than why this situation occurred, as one listen to their self-described ‘dream punk’ reveals my obvious attraction to the band.

Latest video Headspace Campout does nothing but reinforce this, the visual’s lo-fi aesthetic reflecting the song’s gorgeously soothing melody while the vocals add a depth of emotion, lyrics of pining for a loved one who’s far away. The overriding sense here though is one of optimism – there’s a joy in having someone to miss, and in the meantime being connected through dreams of one another. Having recently signed to Common Ground Records, the band will be releasing new EP Dreamspace through that label on October 6th.

New Release: Fizzy Blood – Summer Of Luv

New Release: Fizzy Blood – Summer Of Luv

Opening with a few seconds of static and dissolving into tuneless la’s by its third line, Pawn sets the scene on an EP that’s not for the faint-hearted. Fizzy Blood have had an element of unhinged weirdness since first single January Sun, after that though everything seemed to become bit more restrained. For a while at least – over the past year or so the derangement has been getting gradually less subtle, as if they’d gently slid a knife between our ribs and are now twisting it.

That’s not to suggest that every moment on Summer Of Luv is is frenzied madness; this band know how to use space to enhance their impact, with sometimes the calmest sections coming across as the most eerie, particularly towards the end of Haunted. Then the title track jumps in, jarringly blithe, albeit through heavy distortion. It’s the ‘pop’ song of the release, if such a thing needs to be observed; before the final track sinks once more into darkness. Generally the idea of a band reverting back to a manner they’d moved away from is quite odd, but the way that everything they’ve learnt in the meantime is incorporated maintains a sense of progression with this release. It’ll be interesting to see where they go next, hopefully even weirder (if that’s possible).