An adjective or phrase expressing a quality or attribute regarded as characteristic of the person or thing mentioned; e.g. “Britain; home of the ignorant, arrogant, and scared”.
Alright, so that last bit is the final lyric of Let, one of two new Cassels songs shared alongside the announcement of their debut album. The first part of that duo, Coup, is an angry beast rallying against pre-Brexit apathy; calling for us to be more aware of the state of the world before it’s too late. Its counterpart grew from a rant written the day after those results; and starts vitriolic, then abating some as it sinks into despair.
Twin lyric videos adhere to the band’s DIY motif, as the pair flick food colouring at each other atop an urban roof terrace. The two songs will be included on forthcoming record Epithet, released October 6th via Big Scary Monsters. Alongside a couple launch shows around this date, Cassels have been added as UK support for Single Mothers’ tour the following month, which includes a Cardiff show at Clwb Ifor Bach on November 23rd*.
*That date may or may not be the author’s birthday. She may or may not have danced around her house for a full ten minutes following the announcement. If you’re going to the gig, feel free to buy her a drink! ;p
The internet has made it easier now than ever to compare our lives to those of others’, and allows greater control over how we portray ourselves too. Of course, the natural reaction then is to present the most exciting, happy and well-adjusted version of your world at all times; yet it can be hard to remember that those you are scrutinising are also doing the same, that there is far more to them than the complete, ‘perfect’ selves you are permitted to see. If All Your Parts Don’t Make A Whole targets this thinking, and how easy it is to hold yourself to unattainable standards, because it can seem like everyone else has it together and you’re the only one struggling. Likes and follows have become the new social currency, replacing the number of real-life friends you might’ve previously judged a person’s popularity by. It’s easy for these to be used to measure ourselves against what we think we should be, for the acquisition of them to become an obsession, when that time could be better used living our real lives.
Although you should obviously take three minutes of that to watch the video below; and in the real world, Press to MECO will be self-releasing second album Here’s To The Fatigue on November 11th.
If you didn’t know, Clue Records are a Leeds-based independent label putting out some of the most captivating new bands around that area at the moment. Recently they’ve launched a singles’ club, no not the lonely hearts type but a musical one, putting out bi-monthly AA-side releases.
Having previously featured splits from Fighting Caravans/Colour Of Spring and Tea Buckley &/Team Picture, this latest edition comprises newbies Mini Skirt and a now-expanded Night Owls. The former have provided a song titled French Kiss, which exactly matches the feeling evoked by its title, emanating the warmth of summer nights and the blissful innocence of youth. Its companion Honestly is a fair amount rowdier, an ode to more mature relationships and the importance of trust. While sounding less amorous on the surface, lyrics such as “I’ll catch you when the ceiling falls right through” show the sort devotion absent from adolescent romance.
Whether chosen intentionally or not, the similar-but-contrasting themes result in these two songs balancing each other perfectly. This single is available now on its own, or a subscription to Clue Club will get you a bunch of bonus goodies as well as all the year’s releases.
Having watched this a few times now, it’s still definitely one of the best music videos I’ve seen. Wanna learn the lyrics to the song? Answer the questions correctly and you can. Thinking of starting your own band, but not sure how to get famous? It’ll teach you that too. Apart from the very beginning where my heart jumped to my throat as I really thought my laptop had crashed, I stare, joyously agape as an entire digital world built around the band unfolds line by line.
The attention to detail here is impeccable, I’m sure there’s still more to see than I’ve yet noticed, and the complexity of multiple layers reflects the tune itself with its juxtaposition of sunny melody and anguished lyrics. A catchy, upbeat indie-pop song about… crippling headaches? Probably not what you expect. But then when the band’s own name describes them as TRASH, I suppose the bar isn’t set high. Based on Migraines though, by which I mean the track not just the video, they should have a little more faith in themselves. This, and other songs will be available on their self-titled EP, released August 11th via Clue Records.
Also, TRASH now owe me a fiver for paying attention to aforementioned details.
Where have Bloody Knees been? For a while even their twitter went quiet, granted previously most of it seemed to be them playing hide-and-seek in bins but still, it was news of a sort. When that stopped it begged the question whether something serious had happened, given the bands attraction to injury (note both their name, and the true story behind previous EP title track Stitches). However they seem to be ok as there’s a new song, and skinny-dipper on the single artwork appears healthy enough.
Oh yeah, music. Aside from I Want It All last spring, this new EP will be the first release from the band in more than three years. Maybe It’s Easy is out on October 13th, with Not Done being the first cut from it, and available now. There’s something a little bit sad about this song, but ultimately it refuses to give up and rages back into grungy indie life ending with the words ‘I don’t care anymore’; as if the band have decided that whatever was holding them back (presumably the same reason they temporarily vanished) doesn’t actually matter. And rightly so, don’t let anything keep you away from what you care about.
Well, where to start – it’s been a long couple years, boys. In the time Samoans have been away, Four Bars has shut; the venue where I both first, and most recently (nearly said ‘last’ there, but hopefully not!) saw them. Watched the band live, that is – as for the individual people involved, most of them tend to turn up fairly frequently around Cardiff, occasionally in my work which is cool if always a little awkward.
Rescue, the group’s debut album, has been spun half to death though I’m still sure I’ll never get bored of it. The split with Freeze The Atlantic in the interim was a fun little snack, but something more substantial is definitely overdue. And so we look forward to Laika. This second full-length record has been announced for release on September 29th via their own Apres Vous Records, and is preluded by the aerial Patience.
I half think this song reminds me of something else, or is it akin to that curiosity where you meet someone new who it feels like you’ve always known, fresh yet familiar at the same time? Alternatively, maybe I’ve just listened to the damn thing too many times already. You can’t really blame me for that, as from its sudden intro the track softens into a swirling, undulating dream which holds you in a trance you’ll never want to leave. Even after it finishes, when you find yourself hitting play again… If it’s not obvious by now, I’m loving this and pretty keen to hear the rest of the new album; I hope they’re as glad to be back as we are to have them.
Now onto their sixth EP, it feels like Trampolene will never release a full album. And honestly, whilst it would be a lovely thing to have, the shorter format seems to work so well for this band and at a rate of a couple a year, they’re giving us more songs than most manage through the traditional cycle. ‘Beautiful Pain’, the latest addition to their collection, is out now.