There’s less than a week to go now before Samoans play their final ever show, and well, it’s also gonna feel like the end of an era for many of us outside of the band. The first time I saw them, my first Sŵn festival, the set featured all brand new songs from their (at that point unreleased) debut album but the singer had lost his voice, so I had little idea how it was meant to sound. The next was one of my favourite festival slots of all time, regular readers may well have heard this story before; but watching the songs from Rescue live in a marquee, with the sun setting behind at the end of a bright spring day, turned Gwdihŵ‘s car park into a miniature urban paradise. Samoans are also the last band I ever saw play in Four Bars before that was closed, as well as many more times over the years and in various places.
Despite the difficulties the band faced during the making of the first album, from having to take a year out due to injury to changing drummers during this time, they (with a newly-added second guitarist) seemed to have been pulled closer by experience. Since then though, cancelled shows and rumours of inter-band hostility have given a more fractured countenance, and second album Laika just didn’t have the same chemistry as its predecessor. So when the band announced they would be playing just two more shows before splitting up, it was disappointing but not entirely unexpected news. For a group who were once Cardiff’s future stars to call it a day is a loss to us all, and I for one look forward to hearing whatever musical projects each of them persues next, as well of course to one last party first.
The show takes place this coming Saturday (May 12th) at Clwb Ifor Bach in Cardiff, more details can be found here. Thanks for the good times, guys.
I couldn’t tell you the last gig I went to where every song on the setlist was familiar to me. Ok, I mean before Wednesday last week, or I wouldn’t be mentioning it now. The down-side of finding ridiculous amounts of great new bands and artists is that, well, there are still only twenty-four hours in each day, and I still have to work, eat and sleep. I have so little time to pay attention to all the songs I’d like to, that I can rarely keep up – somehow with Bryde, I managed it.
Jumping on her bandwagon fairly early (thanks to Adam Walton’s radio show), I’ve caught everything from solo gigs to the evolution of the full band, recognised ‘new’ singles having already heard them live, and so by the Cardiff leg of debut album Like An Island‘s launch tour I’m fully knowledgeable. The record itself documents the change in line-up – a couple of songs have been included from previous singles and EPs, enough to give a nod to tried-and-tested favourites without retreading the same ground. The decision not to rework these with the full band says that this is still very much Sarah’s project; I hope later releases hold onto that as I have to confess, I’m personally biased towards the tracks that she’s clearly written alone. The depth of emotion and expression in her voice just hits harder when there’s less going on musically.
Hence I couldn’t believe that, back some years ago now when the band featured just Sarah and her electric guitar (I don’t remember if I was ever around quite early enough to have seen the acoustic), in a corner of the City Arms I had to shush two people chatting in front of me. There was no need for that last week at Clwb Ifor Bach; nothing but rapt silence through every poignant moment, as a packed room appreciated the winding journey that led to the creation of this wonderful record.
When a band generates a buzz of the level that’s surrounded Estrons for a while now, it’s quite easy to get distracted and start celebrating that, rather than the band themselves. Sometimes it can be necessary to take a step back, listen to the music rather than the hype, and remember what matters – that they just write damn good songs.
Cold Wash is the b-side to recent single Glasgow Kisses, and showcases exactly what it is that makes this bunch of former ‘strangers’ stand out from all the rest. Direct and passionate, the track captures the band’s untameable energy and autonomous spirit; that’s why I listen to them, not the amount of magazine coverage they get. And not that their being from Cardiff matters all that much, but it’s great to remember how damn lucky I am to have bands so important that I can consider local.
Speaking of which, if you’re around this area you can catch Estrons at their live best next month, as they play a hometown show with CHROMA and Palomino Party at Clwb Ifor Bach on December 9th.
As you may, or may not be aware, over the past few weeks the creator of Cardiff’s favourite live music podcast has been sharing drawings of the city’s venues. These images combined will form a comprehensive map, highlighting the wealth and diversity of spaces we have here to support artists, all the way from their very first shows to the 75,000-seat stadium. Thursday night (November 2nd) sees its official launch at Clwb Ifor Bach, a venue that has sat at the heart of our music scene for more than thirty years, and recently had to be defended from the ever-looming eye of developers.
In swift response to this threat a campaign was launched to ‘Save Womanby Street’, the tiny pedestrianised strip of Cardiff’s city centre where Clwb is situated – home to an extraordinary number, for its size, of the places to be featured on Minty’s map. One Saturday afternoon in April, somewhere just shy of 2000 people gathered here and marched on city hall in protest against the application to build flats right against the side of the iconic building. With the backing of many local MPs and councillors, the campaign showed signs of real impact within weeks as Wales’ Cabinet Secretary for Environment and Rural Affairs announced her intention to amend current planning policy with explicit reference to the agent of change principle, and to allow for the designation of areas of cultural significance. Before the end of the summer this had been debated in the Welsh Assembly and unanimously agreed upon. Over the months that followed all appeared to quieten, when out the blue it emerged that the plans for development had been withdrawn, with no reason given; quickly Cardiff Council purchased the land, to not only prevent future threats but also with the aim of expanding the venue.
Now it’s time to celebrate our success, and how better to do so than with a beautiful and informative guide to everywhere Cardiff has to offer to live music fans! Oh of course, and a big party featuring performances from alt-rock live wires CHROMA and hip-hop violinist Mike Dennis, as well as a secret, to-be-announced-on-the-day headliner. Alongside these will be guest speakers in the form of Save Womanby Street founder Ewan Moor; one of the campaign’s earliest supporters, Cardiff Central MP Jo Stevens; national Music Venues Trust representative Jon Fox and Adrian Palmer from For Cardiff. Full details of the event can be found over on facebook, and just in case you want a quick reminder why these, and other grassroots venues need so desperately to be protected:
Listen to the new tune from False Advertising a few times and it’ll be buzzing ’round your head like – well, incidentally, with a similar momentum to three people racing bicycles ’round the city. Which fittingly enough is exactly what the video for Hey You depicts, as the band escape the daily grind to battle it out on Mobikes.
The song, which highlights a slightly more mellow but intensely catchy side to the band’s lively grunge-pop, features as the opening track on their new EP. I Would Be So Much Happier If I Just Stopped Caring was released yesterday and includes recent singles Not My Fault, It’s Been A While (So Sick) and Honest, alongside new song I Think I Got My Wish.
I have to confess, by the time Wylderness got around to releasing their debut single, I was concerned it might be a little late in the year for a song titled 72 & Sunny. However while the temperature might not be quite there, October is proving today that it can still be pretty bright!
The name may be very slightly misleading anyway – while there’s no denying the prominence of hazy vocals and washed-out guitar, there’s also an underlying element of the garage rock of (previous project featuring most members of this band) KUTOSIS. This added bite actually asserts the track as fairly fitting for a crisp-but-clear autumn afternoon.